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The Rainbow Serpent in Aboriginal Art |
Aboriginal mythology follows patterns of "animism": the attribution of souls to plants, inanimate objects, and natural phenomena. Similar to the North American Indians, the Aborigines saw that each individual object or essence had a life of some sort, whether it be a rock, a man, an animal, a tree, or a storm. This is wholly different from many proto-Christian European mythologies which focused more on gods and man's subservience to them. That is not to say the the Aborigines did not have a pantheon. However, the ancient Australians were divided by regions and developed clans, each of which practiced slightly different religions: there was not a firmly established class of deities among all people.
Contrary to Norse myth whose greatest aspect is arguably the foretelling of Ragnarok or the end of the world, the mythology of the Aborigines is focused on the time of creation. Called the Dreamtime, according to myth, this era was characterized by a flat earth inhabited only the spirits of all things (in some stories, it was inhabited only by people). Then, a Rainbow Serpent (a
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The kangaroo is a dominant figure in Aboriginal myth |
Other accounts of this era of creation can be found in the Songlines of the Aboriginal peoples, retellings of the paths taken by the beings of creation (such as the Rainbow Serpent). For example, in one Dreaming—or story of creation specific to a certain tribe or person—the man "Tjilbruke" had to carry his deceased nephew to the modern-day Gulf of St. Vincent. As he walked and cried for his nephew, his tears created natural springs in the earth. By reciting this story through songs (called Songlines),
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An Aborigine playing a "Didgeridoo," an instrument used in the telling of Dreamings or stories of creation |
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